世界需要看到这样的影像。一些给自己的练习问题 1)导演如何处理自身创作意志与历史影像之间的关系?does the power of the image rest in the cinematographer, the editor, or the subject?2)how does the historicized image shift its meaning? how does the cinematic medium serve as an agent in this process? 不适应被摄影的人们狐疑地望向镜头的时候,和观众产生了穿越历史空间的、不期然的对视。 // 想了半天周恩来旁边的人是谁,结果是郭沫若 i'm deceased... 点击查看评论详情》 |